|
Legendary Bay area rapper Too Short is back with his
13th album due later this summer. His current single is
"Blow The Whistle."
How did you transition from Oakland to Atlanta in the
early 90s?"
Too Short-It
was actually a two part thing. Freaknic. Remember that
little thing called Freak-Nic?
Yeah.
Too Short-Freaknic
'93 is like legendary. A friend of mine from Oakland was
living in Atlanta. He told me I should come and check
out this event and it was all that and some more. I had
been to Atlanta many times and I had been up in the Magic
Cities and done several shows out there but that one event
showed a new light of Atlanta to me and not just the partying
and stuff. There was a pretty healthy music scene out
there with Laface Records and Jermaine Dupri, Dallas Austin,
Toni Braxton was there, Bobby Brown was there, ABC, TLC,
Arrested Development. I recognized that they were active
in the music industry and it was a good move for me.
What was it like working with Jazze Pha and Lil Jon on
your new album?
Too Short-I
had been working with those guys for many years since
before either one of them was rich and famous. Lil Jon,
I was extremely instrumental in him getting his career
started. Jazze Pha I was giving him working and paying
him for beats when nobody was paying him. Them are my
homies and I have been working with them for years and
years. Jazze Pha and Lil Jon have been producing songs
on my albums since the late 90's.
Now I know you have retired several times what makes you
keep coming back to the game?
Too Short-I
retired for two months in '96 and I've made seven albums
since then and everybody keeps saying I retired I don't
know. That was 1996. I never announced it ever again.
I said it that one time and that one time was partially
a publicity stunt.
I guess people remember because I remember I was
sad. Well what made you want to retire at that time?
Too Short-There
are all these stereotypes that when you get older you
have to stop rapping. I was feeding into that but I'm
not feeding into that anymore.
Which of your classic songs do you incorporate into your
set list?
Too Short-Well
they would be mad at me if I didn't do "Freaky Tales,"
"Cuss Words," "Don't Fight The Feelin'," "Gettin' It,"
those are the songs that they have to hear.
Do you do "In The Trunk?"
Too Short-I
don't do "In The Truck" because it's not one of the Too
Short classics. It was a good singles and it was really
hot at the time. I used to put it in my show years ago
but it's not one of the long lasting popular ones like
"Blowjob Betty."
Speaking of "Freaky Tales," I know you used to have
a real nasty, dirty, freaky element to your music. Is
that something that your fans will find on this new album
or have you moved past that?
Too Short-It
never went away ever.
I know that Jive is a label you were with as far back
as the 80s. What led you back to working with Jive again?
Too Short-I've
actually been through two contracts with Jive. I did the
first one we did about six albums and this time around
this will be the 7th album. I've done 13 albums with Jive.
What can you tell me about your new album?
Too Short-Well
the production was Jazze Pha and Lil Jon did most of the
album but what's on there that is of some interest to
the world is the Snoop Dogg Will.I.Am song was produced
by Will.I.Am. It has Fergie and Will.I.Am on there. Snoop
Dogg got the Dogg Pound back together and I did a song
with them. I have a duet with David Banner. There aren't
a lot of guess appearances because I wanted it to play
like a Too Short album. You know a lot of our favorite
artists we listen to know their albums are compilations.
I just didn't want to get caught up in that.
Outside of music what other business ventures have you
taken up?
Too Short-Well
I am a music man all the way around. Most of the things
that I do are music related. I guess the main thing that
I do is I am like a pornography dabbler so to speak. I'm
not in the porn industry but I frequent around events
and do invest in certain little projects. I'm really not
feeling that so I'm trying to shift over to some seriously
explicit R rated films. That's my next venture.
Do you ever get a chance to get on the Internet and see
what the fans are saying?
Too Short-Well
yeah I have a couple of websites that I get printed out
e-mails from that are directly sent to me. I'm not really…even
though I'm Internet savvy I'm not churned out enough to
sit on Myspace for hours.
I know you've worked with a lot of artists over the years
but are there any of the collaborations that stand out
as favorites?
Too Short-Well
I always tell people my favorite artists to work with
are E-40 and Scarface. We've done like so many songs together.
Pimp C and Bun B we've done a lot of songs together over
the years. My producers my man Ant Banks we worked together
for many, many years. Just recently, my favorite two producers
are Jazze Pha and Lil Jon. They seem to know how to work
without any communication we always seem to be on the
same page.
Is there a common theme to the album or anything in particularly
that you are talking about?
Too Short-I
think on this album the goal that I was striving for was
too establish that at the age of 40 there is still room
for a hip-hop artist to be relevant. There is a serious,
serious, stereotyping going around that age and rapping
and getting older just don't go together. People are really
saying in their interviews "I want to be rich, I don't
want to be an older rapper." It's music. You're doing
what you love. So matter how rich you get or how many
hit records you have who says that you can't keep doing
it. I don't know who started this thing. Hip-hop, we all
grew up on it. It hasn't become something that your 70
years old saying I grew up on hip-hop. It's still young.
The hip-hop audience has not gotten older like senior
age. I am trying to figure out who laid down the law saying
you have to stop rapping at twenty-something. I don't
know who started it.
Related Links-http://www.tooshortworld.com/
Too Short interview
may not be reprinted, copied or distribute without permission.
You may link to this interview.Interview copyright Dorrie
Williams-Wheeler, thabiz.com June 2006.
|