Tamara Gregory Interview

Tamara Gregory photo by Eric Scot

Tamara Gregory has been working in the entertainment industry for quite some time. Her Harper Collins bio mentions her work in production and development with the Walt Disney Company and Hollywood Pictures. She also worked with Magic Johnson Entertainment where she was a driving force behind the hip-hop love story Brown Sugar. Tamara is now wearing the hat called author. She has recently released her first novel Passport Diaries. When you look at the books cover you might think "chick lit," but the book is so wonderful you can't just place it in a box. This is a book that everyone will enjoy. Written in first person, the book is very detailed and Tamara paints the picture of the story so vivid you can imagine how the story would look if it were a movie.


You know, I really, really, really, really liked talking with Tamara. She was so cool. We turned off the tape recorder and talked for some time after the interview and she gave me some real good advice. It's not often that people who know a little bit more about the industry actually extend themselves to you. It was great talking with her.
Dorrie -www.sparkledoll.com & Thabiz.com webmaster

You've been working in entertainment in various facets over the years what made you decide to write a book at this point in your career?
Tamara Gregory-I was sort of growing frustrated because I wasn't able to get movies made or see movies made by other producers that had people like me in them and I realized there were all these limitations in the film world, they tell you black films don't normally sell overseas, the budget has to be a certain size, if Halle Berry isn't in it they aren't going to make it. All these limitations. I realized in the book world, as long as the book was 50,000 words or more and made into a novel I could have a character who was college educated and made six figures, and be herself and I didn't have to worry about the same issues I would have to worry about in the film world.

The detail in the book, I love the little tiny things like she saw the orange skittle on the floor so when you were writing in your head were you picturing, cinematic?
Tamara Gregory-No. I purposely didn't because again I felt like, when you write a script if you are writing a comedy it has to be 90 pages. You have to be out of the first act by page 25. 26-75 second act and you have to be done by page 90, there are so many rules and things I said I'm just going to throw that out and if it turns out that its visual or made into a movie great but I wanted to free myself of things.

Is this the first book you've ever written.
Tamara Gregory- Absolutely.

Did you travel while you were writing the book?
Tamara Gregory-I did go to Australia that's where I actually started the book. Right after that I was pretty stationary. It took me six months. I was pretty much writing from my home in LA.


I know you said you wanted to write something fun. Where did the inspiration for the story come from?
Tamara Gregory-I went to Greece. I love to travel. I've been to London, Paris, Italy and there all fabulous any one of those cities, but they are very closely tied to America. We've fought in wars together, we eat Italian food, we eat Italian food like it's our staple, its very common, but when you go to Greece you are truly in a foreign place. I go to the Caribbean and you are very enclosed. I love Jamaica it's beautiful, but I always stay in these all inclusive resorts and I never get to get out and meet the people. But when you go to Greece, you are instantly meeting people and you are instantly a foreigner. They aren't trying to speak English, they're not trying to make you comfortable. Once you settle in and get used to it it's fabulous. Greece is one of those places that I encourage every person black white or otherwise to visit. It's truly an eye opening experience. When I was there I just thought this could be a book it was shortly after we invaded Iraq and they were very anti American but very open and warm to black people. So it was just one of those times when you benefited in a way you normally don't feel like you do. That's sort of what made me start thinking maybe there's a book in there.

Now I know you mentioned sometimes with films its hard to get films made when you went through the process of writing the book how did you go about getting an agent and a publisher.
Tamara Gregory-My film contacts. I was very fortunate and very blessed. I don't say that cavalierly. I had a girlfriend who I sent it to and she's a white girlfriend for lack of a better phrase and I wanted to make sure my book translated and I knew I had sent it to a lot of my black girlfriends and I knew I had something but I wasn't sure it was a book until a guy liked it and somebody's whose not of the same world of the character. So I sent it to my girlfriend who is a Hollywood executive and she loved it and instantly got it and she said oh we should send it to William Morris I got an agent and the agent sent it to Harper Collins. I was fortunate I didn't have to get any rejection letters or any of those things.

Are you in the middle of a book tour now?
Tamara Gregory-I just got back from Oakland. I'm going to Houston next week and on the 13th I go to Hyattsville, Maryland. On the 14th I'm in Brooklyn, 16th I'm in Harlem.

Are you still working in entertainment or are you devoting all of your time to your author career?
Tamara Gregory-I'm a producer at heart, in my mind. Now I'm taking meeting to make this a movie. But that was not my intention when I was writing it. It's kind of two fold, it kind of was my intention. I was thinking, "If I can write a good book and prove there is an audience for these kinds of materials I could come back and own the property and I could make it a movie." But while writing it I didn't write it as a movie. But I did have it in my mind I have to prove to these executives that keep telling me there is not a big enough audience for movies about upper middle class black people, I knew if I had a book that did well I could prove "You're wrong there is an audience."

What advice would you give to young women who would like to pursue a career in the entertainment industry?
Tamara Gregory-Its tough. Be an agent. We need black agents. Agents sort of are the gateway to the industry. If I were to do it over again I would probably go the agent route. Then maybe after you've had some success you became a manager. The route I went I'm glad. I did I meet a lot of great people back in the day when they had all of these minority programs they don't have anymore, minority executive training programs. Development executive there's no real skill--you cant tangibly touch what we do the way a director can handle a reel or a writer can handle a script. Development execs cant really hand you want they do because we read scripts and make them better, we see the people, we put stuff together there's not a tangible thing. It's hard to prove your value. But as far as being an agent or being a writer or being an actress those are the areas I would encourage people….

Will you be writing another book
Tamara Gregory-Actually, I finished my second novel. We'll see what happens with it.

Any last comments?
Tamara Gregory-If there are other people interested in writing--start writing. The minute you start writing you're a writer. I could sit here and tell you I am a director then your like, "What have you directed?" I have nothing to show. You can write something on a piece of paper whether it's something you want to sell or keep for yourself. I've met people who say, "I think about writing," you have to take that time everyday if its 10 minutes. You can self publish and they print on demand. You can print one book for yourself and put it in your library.




Tamara Gregory interview copyright Dorrie Williams-Wheeler, and Thabiz.com 2005
Visit Dorrie on the web at www.dorrie.info. Dorrie is the webmaster for thabiz.com and the author of Be My Sorority Sister-Under Pressure.

May not be reprinted, copied or distributed.
Interview copyright Dorrie Williams-Wheeler, thabiz.com August 2005

 
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