Rhymefest Interview January 2006

If you visit Thabiz.com often, you know all about Rhymefest. The Chicago rapper won a Grammy Award for co-writing "Jesus Walks" with Kanye West. His Allido/J Records debut album Blue Collar arrives in stores this April. His first single, "Brand New," garnered the rapper major buzz. He is an AOL Sessions featured artist and he soon will be headed to Europe touring with Kanye West. He recently launched a profile at MYSPACE. If you want to catch up on the history of Rhymefest check out our previous interviews with Rhymefest.

Rhymefest November 2005 Interview

Rhymefest Summer 2005 Interview

Hey, how are you doing? I just have a few questions for you today.
Rhymefest-Let me tell you something before we get started. I aint no dumb ass strip club rapper, I aint no inarticulate dude. I just ask you to please challenge me and ask me anything you want social, political, cultural, girl we can talk about anything, the club whatever you want to. Don't be afraid to challenge me.

I've never been afraid to challenge you. I just know there are usually time constraints and we'll be on the phone all day.
Rhymefest-You are the last interview today so don't worry about it.

Do you ever hang out with the fans after the show?
Rhymefest-This is a problem of mine. Lately, a lot of my fans are becoming friends. One thing is it goes into the reason why I do music. When I rap and when I do music, its coming from somewhere. This is something I feel has been given to me as a blessing. So it's like to go on stage and rhyme, and to write and I be so amazed that people like it. It's like they hear it and they are like "We like you." "We Like you as a person." I'm like, "Really?" It kind of takes me off and you know I find that people who are like me, like minded, like spirit, as a people we attract each other. So I have gained many new friends and family I consider based off of my career. Yes, I do spend time with some fans and build friendships. That's what its ultimately about. Building a base of people who share similar likes.

Here is a question. I know you are out there on the road and doing shows. There are so many people who want to be where you are right now. How do you handle a lot of people saying, "Hey man can you listen to my music?" "Can you help get me on?" How do you deal with the up and coming rappers who expect you to just help put them on?
Rhymefest-Well you have a few different types of people. You have people who are really sincere and they have their CD ready. In those cases I take their CD's and I listen to them. If it's any good I pass them along to somebody who can possibly help them get to where they want to be or I'll call them and tell them they should do this, this and this, whatever my advice is. If it's really, really bad I compile it in this pile. I plan on making this mixtape called The Worst Songs Ever. It would be a compilation of the worse songs that I collected during my tour. You are like, "I don't know if that's nice."

No, I know this is going to sound kind of mean, but I have a pile like that too. I'm just waiting to learn how to recycle though.
Rhymefest-I don't want to throw their music away. People should hear it and hear how bad it is. I'm kind of suffering from the pack rat thing because I don't throw a lot of stuff away and I do give everything a listen. Some people are just not ready to be in it. If they aren't ready to be in it, I tell them. My whole thing is, what I call Real Nigga Talk. We do honesty. I do honesty with my relationships, with my relationship with people. This girl came to me and said,
"I want to rap." I said,
"Let me here something." It was not real good. I said,
"How long you been rapping?" She said,
"I just started last year."
"How old are you?"
"25."
"Baby, it ain't for you. You doing it for money. You cute, you gotta a little ass, you feel like Trina made it I can make it."
Those people I try to discourage from being in the industry. Yo, even if you do make it, even if you do make money, that goes against what my mission is. You know what I'm saying. That's the wrong reason. You should be in this to make music and make good music. Not just because you want to get paid and you want to get out of the hood. This is the problem with our children. They want to rap or they want to play ball and whether they do or don't have the skills to do it, it's a quick way to make money. It's like selling drugs. It's like prostitution. Just like whatever. There has to come a time when our people have to be like we got to get educated. We have to learn a trade that we are good ad. If you go into rap music to make money you are going to destroy yourself. All money does is whatever your vice is, it increases it. You like women? You're going to have more women. You like drugs? You're going to have more drugs. People who just get into something for money and they have no knowledge or love for it or expertise their not balanced to begin with.


This kind of goes off of what you just said. I have a friend who teaches at a high school in Chicago and she says that all of her students want to be rappers, singers, athletes or models and I always get so much mail from people wanting to become entertainers. Why do you think so many young people want to get into that form of entertainment. Is it stuff they see in the media?
Rhymefest- Because we glamourize it. We make it seem like #1, this is your only choice …Nigga. There used to be a day when you have a Malcolm X. When you say to the teacher "I want to be a lawyer," and she would tell him, "No, black people can't be laywers. You can be a carpenter. Carpenters nice." Now we do it to ourself. There is a saying Fredrick Douglas said about a slave, he said if you didn't have a back door a slave would make a back door to walk out of because they are so mentally messed up from the conditioning they would make a back door for them to walk out of so they wouldn't walk out of masters front door. My thing is that, that's the psychological effect of what the radio and the television are doing to your children. They made their own back door.

Like "Ooh I want to be like Jeezy…I wanna be like 50…I get rich or die tryin', I wanna sell snow. I know they say it ain't right but that's just something they say." Also, lack of parenting. I can't just sit up and blame artists, although we do have blame because we glorify it, but people don't realize that a lot of these dudes you see on TV is broke. Is living in turmoil. Is drugged out. And women. Women are whores. A lot of women in the industry are whores period. I've seen them. I see how they get down. I see who all they have sex with. I see who's coming at me in the industry. Yo, I'm not passing judgement, I ain't the most righteous dude, I have my vices.


So do you get down with the ones who are whores?
Rhymefest- I have. I have but my thing is that I do recognize what's real. I'm not saying, "Yo look at all this bad stuff, stay away from this bad stuff." That's been the problem. We don't recognize what's wrong and accept the consequences for our behavior. It ain't the wrong behavior that I'm mad at. What I'm concerned with is accepting the fact that the behavior is wrong. That's the first step.


You have to recognize wrong to know right from wrong.
Rhymefest-The problem with our young people is we don't even know right from wrong anymore.

Can you tell me all about the AOL Sessions that you recently taped?
Rhymefest-Did you watch it?

You know what? I saw the pictures, I saw the stills from it but I haven't had a chance to watch it. I plan to watch it tonight.
Rhymefest- Well you know. The AOL sessions was a beautiful promotion tour. The AOL people loved me, I love the AOL people. I used to go in there often and talk to them about my album. I went in there and I said, "Look at all these white people sitting around the table, where the black people at, ya'll fucking up." They just laughed they thought it was the funniest thing. They were like, "We want to use him for our AOL Sessions." They have the sister as the radio disc jockey, I said, "She needs to be at the table."


I said, "After this we are going to have a quiz, whoever pass the quiz of the questions that I asked, this is to see if you all are listening I will give you all free mix CD's. I will give you the goodie bag." I had these goodie bags with mix CD's and Snicker bars. So I am asking these big board members pop quiz questions on the things I had just asked them, and some of them aren't getting the answers. "You weren't listening, and you weren't listening and you were." They were like little kids. These white people who are investing in this major multimillion dollar billion dollar company were like little kids and the black woman was like,"He fucking stuck it to the man for me." And then they were like, "We want to use this dude for AOL sessions."At that time I realized there was a way to fight the system. It isn't always going head first.

It's with Snicker bars and candy?

Rhymefest-Sometimes you got to use a goody bag.

Stay tuned for Part 2 of our January 2006 Rhymefest Interview!



Related Links
Rhymefest November 2005 Interview
Rhymefest Summer 2005 Interview
Rhymefest.com
Rhymefest at Myspace

 


Listen to Rhymefest (coming soon)



Rhymefest interview copyright Dorrie Williams-Wheeler, and Thabiz.com 2005
Dorrie Williams-Wheeler is the author of Be My Sorority Sister Under Pressure and the Unplanned Pregnancy Book for Teens and College Students. She is the founder of Thabiz.com and Imissthe80s.com and writes for the Rap, Teen, and 1980s section at Bellaonline.com. She is an ASCAP member as a writer and a publisher. Please contact Dorrie for advertising inquiries, lyric writing inquiries, reprint rights, paying entertainment jobs, or general comments.
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Rhymefest interview may not be reprinted, copied or distributed. You may link to this interview.
Interview copyright Dorrie Williams-Wheeler, thabiz.com January 2006.


 
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