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You're from Chicago.
Mikkey
-Yes, ma'am born
and raised.
Where at in Chicago?
Mikkey
-I'm from an
area called Ragtown. 116th and Morgan.
You know I had to ask these questions. I just interviewed
Rhymefest last week. He mentioned you in the interview.
I'm from 112th and Throop.
Mikkey
-Dang, you
are from the area. That's Ada Park.
Yeah. Right by Ada Park. 2 blocks from Ada Park.
Mikkey
-My great grandmother
lived near Ada park. What grammar school did you go
to?
I went to Shoop school for awhile. I moved around
a lot. But for high school I went to the Agriculture
High School on 111th and Pulaski.
Mikkey
-I know where
that's at.
Let me guess what high school you went to. You went
to Corliss? Fenger?
Mikkey
-Unfortunately,
then I transferred to Rich Central.
That's good. Why did you say unfortunately?
Mikkey
- Because Fenger
is terrible.
So how long have you been rapping?
Mikkey
-I've been
freestyling just doing me having fun with it for a long
time. Since I was a child. Since I was about 10-11 years
old. Big Daddy Kane and all that stuff inspired me but
I never took it seriously until 6 years ago when I met
Kanye. That is when rap became something that I seriously
wanted to pursue.
So how did you meet Kanye West?
Mikkey
-Actually,
my sister had a deal with Ramsey Lewis. He's real big
in jazz. He had started a hip-hop label named Iced Pyramid.
She had signed with him. Kanye was doing most of her
production. He was doing most of the songs on her album.
It never came into fruition. She met Kanye and had been
working with him. She kept working with him after Iced
Pyramid stopped. I used to just come around for support.
I don't think he even knew I rapped when I first came
around. We used to just kick it. One day we were in
there just freestyling, and he was like, "Man, you need
to take this shit seriously." I was in college at the
time on a basketball scholarship. At that time my focus
was really to make it to the NBA. He gave me some beats.
I'm thinking, "I'm not trying to do this shit." One
of the songs I made was "Move This Game." It's a hood
classic to this day. We just started working from there.
That is how my rap career really started.
Back then Shawna was around, Rhymefest….
Mikkey
-That was the
time. It's crazy. Me and Kanye started messing with
Rhymefest, Shawna, the whole Infinite Syndicate. He
had a production deal with NO I.D. It was a whole crew
of us. It was like a breeding ground for so much Chicago
talent. Even Common was a figure, through NO ID who
I'm really in a situation with right now. The family
tree was really crazy with me Rhymefest, GLC whose down
with Kanye, a couple other members of his group called
the Go Getters, my sister, Shawna.
I read you went to Xavier University. I know there
are several Xavier Universities which one did you go
to?
Mikkey
-I went to
the one in Chicago.
So you have your Bachelors and Masters degree?
Mikkey
- Yes.
Are they both in education?
Mikkey
- Yes.
Oh okay. I am interested in this because I have a
Masters Degree in education also.
Mikkey
- Real. Mine
is in curriculum & instruction.
Mine is in curriculum & instruction too. My major
major was Instructional Technology. I went to
Southern Illinois University.
Mikkey
- For real.
When did you come out?
1997 and 1999. I was down there six years.
Mikkey
- We are around
the same age group. I'm sure we know some of the same
people.
Did you know Tony Mays?
Tone Kapone. Yeah he's on the radio.
Mikkey
-Yeah that's
my guy.
He knows me. I used to be Dorrie Williams. We had
an English class together like a long time ago. I remember
he was a Kappa before we left SIU.
Mikkey
- Yep. Actually
NO ID went down there for a minute.
I might know him if I saw him. My question.
I know I'm an artist, I'm an author I have several books
out. I know my books are helping teens so I know I'm
fulfilling my education goals but do you ever feel like
you should be in the classroom or an educational setting
career wise?
Not really. I've been in the classroom. When I first
started with Kanye I was teaching. I was teaching in
the city community. The thing with me and education
is, the reason I chose education is just because I really
never had any strong male black teachers in my life
period. I know they play such an important role when
developing a child because they are so limited when
it comes to role models. Although the NBA was really
my dream, I was like man if I don't do that I can at
least give back to the hood some kind of way and work
with the children and allow them to fulfill their dreams.
I just love being around children and the youth. I wanted
to give back.
When I started teaching I enjoyed it so much. I adopted
one of the kids from the first year I taught and I'm
still with him today. I'm putting him through college.
So I still have a close bond and tie with that community
I taught in for a short period of time so now it's time
to take it to a broader scope. Rapping has the ears
of our youth and I noticed that so much when I was in
the classroom. How much that they are influenced by
what they see on TV or hear on the radio. Since I have
the talent what better way to grab their attention than
to jump out there and really do it. But I don't want
to make preachy music because nobody in the classroom
will listen to that kind of music. I want to make music
that is true to where I grew up and my environment.
I didn't want to go the route as some rappers when they
get educated to a certain extent. I hate that educated
rappers to a certain extent seem to alienate themselves
from the hood. The hood is who needs that the most than
anybody. So called pro-black rappers or educated rappers
find themselves preaching to the choir. I wanted to
reach the masses of the ghetto. That's what I'm about.
I read that you had a deal with Cash Money that did
work out. I think I also read that your sister also
had a deal with Cash Money that didn't work out.
Mikkey
-Yes, both of
us signed on the same day.
So what did you guys do when you were on Cash Money?
Were you living in Louisiana?
Mikkey
-I still lived
in Chicago. I bought a place in Hyde Park. I actually
signed the Cash Money deal but I stayed here because
I really love the community. I had an apartment in New
Orleans because I was there so much. It was a bad situation.
It was really a situation whereas Kanye and I were at
a rut. Not a rut between us but everything was blocking
our progress and everything was blocking our dreams.
We had so many dreams of doing everything together.
I was the first one signed to Kon Man productions. At
one time he appointed me as Vice President of Kon Man
Productions. Cash Money got wind of the music and they
were the first one that showed a real interest in what
we were doing that was a real company. At that time
Roc-a -Fella was showing interest in him as a producer.
A lot of the best beats were going directly to Roc-a-Fella,
Jay-Z and Beanie.A lot of us were looking like dang.
If he is leaning over there moreso producing verses
doing it together…
Cash Money offered everybody a deal. In hindsight I
think I should have waited and stayed with Kanye and
did it that way. He said, "I don't want to do that deal."
But I thought it was a good situation. At the time they
said they were going to give us all kind of creative
control. They were going to just put that machine to
work. I thought it was a good situation. Me and my sister
signed. Kanye took the money I gave him from me signing
and he moved to New York and started working more closely
with Roc-A-Fella We always had plans. It was just a
point where Cash Money didn't work out at all. It was
a bad situation. About a year into it I knew it wasn't
the place for me. I started plotting and strategizing
how to get out of that deal.
So you were able to get out of the contract?
Mikkey
-Yeah. They
held me for over two years. Legally I got out. Before
I got out I had several other offers on the table, so
I got on again. I signed with Virgin.
I know the album title is related to Nat Turner. What
is the name of the album?
Mikkey
-Nat Turner's
Revenge
What made you name the album Nat Turners revenge?
Mikkey
-It's really an
educational thing. I like to give education underlying
in the message. I know you are familiar with Nat Turner.
He led a slave revolt. He was a religious man if you
read about his life. They hung him and skinned him alive.
Trying to teach what the history books just outline.
In a way it's keeping his legacy alive. That was one
of my first rap names and I still use it as an alias.
So not only is it Mikkey
's revenge on an industry that
I feel tried to suppress Chicago, suppress real music.
That's my revenge. The second layer is Nat Turner who
is a hero to me. So everytime a black woman or man has
something great, something prolific, something right,
it's like Nat Turner is actually getting his revenge.
People after him are getting to reap the benefit the
people of his time that were oppressing him never wanted
him to see. If he could smile in his grave he probably
would want to see some of the people he fought for and
died for reaping the benefit. That's really what it's
about. There are so many layers to it. I could talk
for hours about Nat Turners Revenge.
Yeah I have this picture of one of Nat Turners grandsons
with three of his children. It's really old, its from
the turn of the century. I have it scanned because my
grandfather just passed away and I made a memorial book
and that was one of the pictures included. He was 87.
I put together this family album with all of these old
old pictures.
Mikkey
-So you are
related to Nat.
Way down the line. My auntie told me to ask. You might
be my cousin. My grandfathers name was Melvin Turner.
After the situation with Cash Money were you hesitant
to sign another deal?
Mikkey
-Yeah
I was. I contemplated, "What should I do." I started
my company Uncrowned City Entertainment. I knew I was
going to take more control this time around. I wanted
to be total responsible for my projects success or failure.
I guess you can never really do that, but I wanted to
be more accountable. I hooked up with NO ID, he produced
Commons classic album Resurrection. When I got back
home Kanye was busy doing his thing. NO ID, we got together,
man, he was moreso than me, but we were both legends
in our own right. Kanye introduced me to NO ID. NO ID
managed me at one time. We got together it was like
we revived each other and I got that fire back. Uncrowned
City Entertainment and and Faced the Movement, we did
a joint venture and started working on music. We did
40 or 50 songs and started putting it out there for
labels to hear. God is so good. Everybody that heard
it was blown away. It came down between two companies.
He had a relationship with Jermaine Dupri. He did Bow
Wow's first single. He had a relationship with Jermaine
from doing beats. He said, "Let me play this for Jermaine.
He just got the president's spot at Virgin." I had other
copies ready to execute on the table. Jermaine heard
it. He went to the club. He came back two hours label
and said "What's his offer?" And he doubled it. It's
like that's that history. I signed to Virgin. It's Uncrowned
City, FTM/Virgin. To have someone that's the head of
a label behind your record that's second to none.
Is there a release date scheduled?
Mikkey
-We
are looking at the fall now. You know you need 3 or
4 months for promotion.
Is there a first single picked?
Mikkey
-No.
In the next few weeks we are going to pick the first
single, second single, third single, buzz single. That
has been the hardest thing narrowing these 60 something
songs to 13.
Who did you work with on the album?
Kanye West of course. No ID did the bulk of the production.
Mannie Fresh. I had a relationship with him even after
I left Cash Money. He was fighting for me when I was
at Cash Money. He always supported me. He said "I'm
going to give you what you need." He came through for
me. Also, Jermaine Dupri. Other than that I had this
other producer named Knot. I think he is going to make
the album. These up and coming producers from Chicago,
Rio and Jamal. NC, the Trendsettez. It's so many. I
have so many hot producers from the Chi. I think this
album is going to be so hot. Producers are competing
for these 13 slots on the album.
I interviewed Mannie Fresh a couple of months ago. I
interviewed B.G. a few weeks ago too.
Mikkey
-I just did some
mix tape stuff with B.G. I love B.G.
I looked at the video on your website and I noticed
Soulja Slim. Did you have a working relationship with
Soulja Slim?
Mikkey
-Yeah. Well,
I knew him. From being in New Orleans for so long, you
feel that you know people. I built a relationship with
a lot of people and when they come to Chicago I pull
out the red carpet for them. I really love New Orleans
but Baby being the ego maniac that he is I could not
deal with it period.
What made you record the diss song about Baby?
Mikkey
-So many people
kept asking me. "That's Mikkey
from Cash Money." "What
happened?" I was like man, I really wanted to end all
of the speculation once and for all. Just get it off
my chest. People that were signed with Cash Money or
on the bus with Cash Money have called me to thank me
for telling the story and articulating it the way it
should be told.
So many people have said not so nice things about
him. I told someone, "I thought you all were rich
and ballin' based on the videos."
Mikkey
-Don't let
those videos fool you Dorrie for real. The rap industry
is not all it seems to be.
How is your sister Mis Criss doing?
Mikkey
-She's in the
studio as we speak. She's featured on my album. We are
actually going to break the bank with her deal. We are
going to make somebody really pay for her.
For more Mikkey visit www.uncrownedcity.com
Artists Mentioned In This
Interview
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Related Key Words-Chicago Producer
Miikkey
interview copyright Dorrie Williams-Wheeler, and Thabiz.com
2005
Visit Dorrie on the web at www.sparkledoll.com.
Dorrie Williams-Wheeler is the webmaster for thabiz.com
and the author of Be
My Sorority Sister-Under Pressure. She has a new
book out.
Interview
copyright Dorrie Williams-Wheeler, and Thabiz.com 2005
Dorrie Williams-Wheeler is the author of Be
My Sorority Sister Under Pressure and the Unplanned
Pregnancy Book for Teens and College Students. She
is the founder of Thabiz.com
and Imissthe80s.com
and writes for the Rap,
Teen, and
1980s section
at Bellaonline.com. She is an ASCAP member as a writer
and a publisher. Please contact Dorrie for advertising
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Visit Dorrie on the web at www.sparkledoll.com
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May not be reprinted, copied or distributed. You may
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Interview copyright Dorrie Williams-Wheeler, thabiz.com
June 2005.
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