James Cruz-Vice President of Marketing and Promotions for violator management


James Cruz is the vice president of marketing and promotions for violator management. Violator is a name that is well recognized and respected in the music industry. Artists on their management roster include 50 Cent, Busta Rhymes, Missy Elliott, Lil' Scrappy, Olivia and more. According to their website, their artists have sold more than 10 million records a year for the past six years. The names Mona Scott, the companies co-owner and president and Chris Lighty the companies CEO are easily associated, with the media conglomerate but there are many players that participate in the success of violator.

James Cruz has been with violator for five years. I was very honored and pleased to interview James. He is very energetic and charismatic and enthusiastic about his job and the artists that he works with. He truly believes in the power of team work.


What is your job at Violator?

James Cruz-I'm the vice-president of marketing and promotions for violator management and records. I'm day to day responsible for 50 Cent and Busta Rhymes in all of their music as well as business endeavors and I do all the marketing and promotions for all of the artists under the violator umbrella which includes 50, Busta, Missy, Tweet, Mobb Deep and with all of that I'm also the head of the street marketing for RBK, Reebok as well as I run the marketing division at violator management. We have a marketing company called VMG.

How long have you been at Violator?
James Cruz-
5 years. Five incredible years.

So wow! When you have an artist that is so huge like 50 Cent is there like a whole team of people who work managing him?
James Cruz-Absolutely. You are only as good as your team. 50 has a bunch of incredible individuals around him. He has Sha Money who is his right hand who is the president of G-Unit Records, He has Chris Lighty who is my boss and CEO of violator management. He's got myself day to day doing the business stuff. He's got Chris Clancy who is over at Interscope who is an incredible marketing person. He's got Jimmy Iovine, Dr. Dre and Eminem. You are only as good as your team. I preach that everyday. I don't know if you look at sports, but Alex Rodriguez was getting 252 million dollars a year with the Texas Rangers but he had no support system around him, they never came in better than third place. He came to the New York Yankees to play third base with a great bunch of team mates. Michael Jordan is the best player that ever lived, but he always had Scottie Pippen on his right. If he didn't have Scottie I don't know if they'd have all of those championship rings. You really are only as good as your team.


So you work on getting endorsement deals for the artists?
James Cruz-I work on anything, any deal not just endorsement stuff. Working on their music every day making sure that every is set up properly from their promo tour to their video to getting everything together for the album release to looking at touring opportunities, looking at sponsorships, looking at ancillary opportunities, clothing lines, sneaker sales, endorsement deals, anything having to do with taking their brand to a certain level because each one of our clients is their own brand. Missy is her own brand. She's got Adidas Respect Me line. Busta is his own brand. Flipmode Brand. 50's got the G-Unit Brand. We're selling everything from sneakers to clothes to water. So everyone of our clients has their own brand.

When an artist has a big tour coming up is that something you all handle or does the record label deal with it or is it a team effort?

James Cruz-Most of that stuff is spearheaded by management but of course we work with record labels. We do the budget, we do the negotiation with the booking agent, we talk to the promoters through the booking agent and we coordinate everything and the record label comes in as support. They have something at the record label called tour support. The record label will support the tour in their own way. We'll go to them with a package deal like, "This is how we feel the tour will help sell records, so we need you guys to do X-Y and Z," and we will go into a negotiating process from there. Interscope is a different kind of record label because they are probably the best record label in the business. Jimmy Iovine leads his team a certain way and Chris Clancy, those guys just get it. They know what's right, they know what works, they know what's relevant and they understand the urgency. So Interscope is a different kind of animal. Some record labels do get it, some record labels don't get it. It's our responsibility to translate what we are trying to say and the needs of the client are so we can make sure we have the best possible look and the most amount of impressions so that we can sell records, sell tickets, overall sell everything.

How many artists are managed by Violator right now?
James Cruz-We have a bunch of different artists that we manage. We never extend our overall management list but I can tell you, 50, Missy, Busta, Mobb Deep, we work very closely with Eva from Top Model, Lil Scrappy, Olivia from the G-Unit camp, we are doing some music stuff for Ron Artest the basketball player, we work very closely with RBK and Reebok in terms of solidifying their deals with entertainers since they are so vested in the entertainment side of things. Every day there are new people coming in and out. We are extremely selective with the artists that we represent cause we understand the importance of focusing on a client. We don't want to just sign everybody up and not be able to focus on them individually when they need it. That could potentially hurt a relationship and hurt a situation. That is why we are very selective on who we represent, how they represent them. Each one of our clients is unique in their own way and we respect their individuality.

Does an artist have to be somewhat established before they come to Violator?
James Cruz-Not at all. Olivia was not established. Busta, Violator was the first management company he ever got with. Missy the first management company she ever got with. We had 50 before he signed his deal with Eminem. It's not about being established it's about, we're selective about who we pick. A lot of the clients that do come through our doors have already created their buzz. I enjoy managing and working with stars because they find their own way. You can tell when an artist walks into the office. You can tell where he or she is going just by their dedication, their work effort, their delivery, their attitude, their presence, their charisma, you can take all of that and know. We are very selective about who we represent. We aren't going to just represent anybody and put the violator brand on the back of just anybody because the violator brand is a well respected brand out there too.

What are your professional goals outside of your job with Violator?
I read in the bio, that you had played professional baseball but that didn't work out.
James Cruz-I played sports but that didn't work out. I was young and hurt my leg. Wound up doing an internship in the music business. My dream was to be a professional baseball player, but I think part of God's plan, because I believe in God and am very spiritual, part of God's plan was he wanted me to understand what it was like to be part of a team and being a leader of a team. It made me adopt that attitude in the music business.

Have you ever considered writing a script about your life or an autobiography?
James Cruz-I don't think it's as exciting as people make it out to be.

The bio makes It sound exciting!
James Cruz-Well you know to be honest with you, there is always that opportunity. Maybe not a full length feature but maybe an HBO story.

I saw this story today, and I'm sure you saw it on Allhiphop.com in the rumors and they had these pictures of people picketing the violator offices?
James Cruz-Did that really happen yesterday? There were people picketing outside of violator because there is a campaign against 50. It's called G-U-Not instead of G-Unit. It stems from his break up with The Game and realistically they are trying to create some awareness on their end to sell records as a marketing person I've seen it done before. It's been done where Bad Boy has picketed outside of major events, it's nothing that we haven't seen in the past. It's part of marketing and promotion. It's competition. Competition can only make things better because it makes you work harder.

This is how I saw it. I was like, "What is the purpose?" Usually, when people protest they have a purpose but it just didn't make sense to me. It looked kind of foolish these grown men walking around with these rat signs.
James Cruz-Everybody will see it differently. So your opinion is you're your opinion.

Cause it was hot outside.
James Cruz-
It is what it is. What are you gonna do?

I know you had a lot of good things to say about Interscope, but in the past has there ever been a time when a label wasn't marketing one of your artists the way you thought they should be?
James Cruz-Absolutely. When Elektra was working on Missy and Busta, Busta was very unhappy with the way he was being marketed and promoted and he moved over to J Records. There's always issues. J Records, you know, and I don't want to take anything away from Sylvia Rhone she's a great leader and had a great team, it's just the times were changing and the staff wasn't as relevant to what was going on at Elektra. There were arguments about the guy who works radio is to old to actually deal with the young program directors and music directors coming up. The street team guys were way too comfortable. You can't do street team for 6-7 years. At some point you have to grow into another situation. So quite honestly there have been times when we have had disagreements with record labels, Elektra was just one that comes to mind off the top of my head. It's just everything is a battle. Interscope's the best but that doesn't mean that we always agree. There are always differences of opinion, there's always a difference in strategy, they have an agenda for their brand, we have an agenda for our brand and clients, but that's healthy too because that only makes you value other people's opinion more.

So what are your long term goals in the entertainment industry?

James Cruz-Long term goals are to grow the brand. Grow the management skills of the individuals around me. I've got an incredible team mate on the West coast named Barry Wilkers who I have raised in the business since he was 17 and there's that feeling of a proud dad watching his son grow into a superstar. I've got a great team around me at violator . Brent Walker my right hand. Du-Lo my left hand. I used to always think I was the hardest working man in the music industry until I met Du-Lo. He probably works harder than me which I thought was humanly impossible. My long term goal is to develop their skills to get them to the next level and to use my managing and marketing skills and implement them on a broader scale whether that means sports management or whether that be Hollywood. But right now the next five years the goal is to make violator marketing group a relative agency to compete with the Leo Burnett and the Arnell Groups, to take our artist or a certain product and communicate and articulate a message to the consumer that we speak to every day and decipher that and translate that into sales. That's what our main goal is.

For more details visit http://www.violator.com



Interview copyright Dorrie Williams-Wheeler, and Thabiz.com 2005
Dorrie Williams-Wheeler is the author of Be My Sorority Sister Under Pressure and the Unplanned Pregnancy Book for Teens and College Students. She is the founder of Thabiz.com and Imissthe80s.com and writes for the Rap, Teen, and 1980s section at Bellaonline.com. She is an ASCAP member as a writer and a publisher. Please contact Dorrie for advertising inquiries, lyric writing inquiries, reprint rights, paying entertainment jobs, or general comments.
Visit Dorrie on the web at www.sparkledoll.com
or e-mail her at webmaster@thabiz.com.

May not be reprinted, copied or distributed. You may link to this interview.
Interview copyright Dorrie Williams-Wheeler, thabiz.com June 2005.

 
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