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Essie Chambers was recently
named Vice-President of Development for The-N. The-N
is a television network that airs programming for a teen
audience. Their most popular shows include Degrassi
The Next Generation, Instant Star and the latest hit
series South of Nowhere. The-N also airs episodes
of The Fresh Prince of Bel-Air, Moesha and
Sabrina The Teenage Witch among other shows and
original specials. If you are flipping through your Direct-TV
station listing and don't see The-N don't worry. The-N
refers to the after 6PM programming on the television
station Noggin. Noggin is for preschoolers, The-N is for
teens. For more about The-N visit www.the-n.com.
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What are your job responsibilities at The-N?
Essie Chambers-I'm
Vice-President of Development. I oversee the day to day
running of the administrative stuff; the contracts my
budget and our schedule and I work with our SVP to come
up with goals with for every year and I take part in coming
up with overall strategy for both the development group
and the network. I have development execs that work for
me. I help them with their projects. I have my own projects.
I will usually take on a few specials every year. With
my new responsibilities some of our bigger initiatives
are our talent, celebrity initiatives and I've always
been a diversity champion so continuing to work and make
that official, our diversity agenda.
How is it different working on the N side than working
on the Noggin side?
Essie Chambers-Noggin
is for preschoolers. I developed one of our first original
shows called Oobi. They are completely different
audiences. I personally feel comfortable telling both
those kinds of stories. I know this sounds crazy but a
preschooler and a teenager are both going through so much
change it will set them up for the rest of their life
that the kinds of stories you tell have the same kind
of dramatic epic quality. Obviously 5 year old stories
are much simpler than 15-16 year old stories. We always
spend a lot of time thinking about who the audience is
and where they are at and what they are interested in.
We always found it interesting that it felt like the moment
in their lives were very similar. Five year olds were
learning everything they need to set them up for life
and teenagers are just exploding all over the place finding
out who they are.
South of Nowhere
Photo Credit:Carol Kaelson/The
N
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Instant Star
Photo Credit: Stephen Scott/Epitome
Pictures, Inc
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Why is original programming so important to The-N because
you all could easily run shows like 90210 and old shows
so why is new programming so important.
Essie Chambers-Oh
it's critical. New programming is really what establishes
a brand. We have been lucky to get really great acquisitions
but you can't really control…you only have so much control
of what you're buying when it's already in existence.
When we are saying we are trying to be different, the
things that help you feel different are the things that
you make and you can control. So they are the really most
important thing when it comes to building a brand.

South of Nowhere
Photo credit:Chris Cuffaro/The
N
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Degrassi The Next Generation
Photo credit:Barbara Cole/Epitome
Pictures, Inc
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The programming on The-N is so diverse. How important
is diversity to new programming.
Essie Chambers-Critical.
I think as a company every body is just really starting
to understand that diversity is not something that's good
for people but good for business. People of color are
being recognized as important and influential as far as
the TV audience. They are huge generators of pop culture
so it is part of this companies bigger goal, its part
of our DNA. The great part of that is it doesn't feel
like an afterthought. When its an after thought you start
to paint people of color verses thinking about how their
ethnicity influences who they are. We really try to make
it a part of everything we do including making sure we
get people behind the camera creating stories.
When it comes to developing new shows is there something
particularly that you look for in a new show.
Essie Chambers-We're
looking for something that feels like it couldn't air any
place else. That's about the whole building a brand. I'm
looking I'm looking for a story that feels fresh and feels
unique. Just a fresh voice. Even if it's a familiar story;
if it's a new way of telling that story. We're always looking
for a quality of realness or authenticity that doesn't feel
like the TV version of life. For our audience that is critical
because they have so many choices.
You've been at the N and Noggin for a number of years.
Are there any projects that are especially special to
you?
Essie Chambers-Yes.
I think the project that is most special to me is Miracles
Boys. Miracle Boys was the first black drama
for teenagers ever. It incredibly exciting but sad and
a little scary when we realized that we could still be
a first in that category in this day and age but no one
is making black dramas. Nobody is telling stories about
the emotional lives of black men. We see comedies. It
just felt like no one is telling the stories. I think
because of it's uniqueness we were able to attract talent
that worked for nothing really because we don't have a
ton of money. We were really taking a risk and they wanted
to be a part of it. We got Spike Lee and we got Bill Duke
and all these just amazing people to come direct. Amazing
talent on camera and the writers. Everyone was united
in feeling like this is important. Our audience, the people
of color in our audience, it was like a ground swelling.
They just said, "You're telling my life! I never see my
life." If we got one of those emails, I know that sounds
corny, that would have been enough for me but it was powerful.
Is a college education important when working in television?
Essie Chambers-I
think a college education is important in life. I don't
think you need a graduate degree. That's my personal opinion.
I think experience is critical when working in television.
I think the part of education that is important is not
necessarily getting a TV degree, I got my degree in broadcast
journalism and English so there was something that was
TV related but I think the English portion of my degree
was actually more important and I think the people that
I hire that end up being the most exciting have degrees
in political science or history or African American studies,
its diversity of knowledge is as important and I would
say actual experience in TV.
If someone has an idea for a show and they want to
pitch it to The-N what are the proper ways to do it. Should
they have their own development company and approach the
station?
Essie
Chambers-What should people do? I'm
always scared to say this out loud but I think that we
are one of the few places where we look for new ideas.
New ideas can come from anyone anywhere. We look at all
the ideas and if we love something we will get you in.
We're actually not putting anything new into development
right now but we really have a season we put aside weeks
at a time when we are hearing pitches.
What's the coolest thing about your job?
Essie Chambers-There
are so many cool things about my job.
I know one you get to know what happens on all our
favorite shows?
Essie Chambers-I
don't just get to know what happens I get to have a say
in it. The talent. I am humbled and in awe of the talent
I get to work with everyday. And the people that I get
to work with. That's what it's all about.
For more about The-N visit www.the-n.com.
Related Links-Interview
with Degrassi The Next Generation Cast Members (Summer
05)
Dorrie Williams-Wheeler is an author and the webmaster
For Thabiz.com.
Essie Chambers interview copyright Dorrie
Williams-Wheeler, and Thabiz.com 2006
Dorrie Williams-Wheeler is the author of Be
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copyright Dorrie Williams-Wheeler, thabiz.com February 2006.
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